UPDATE – Healing Hearts: Y Mabinogi

If you’ve been with me for a while you’ll know I’m in the process of developing a multi-cultural, multi-gendered deity Oracle Deck called ‘Healing Hearts‘. I’ve been wrestling with how to start such a huge project. The crowdfunding fundraiser brought in enough for me to get started with materials, so that’s great, but wasn’t quite enough to support me in the time it will take to make this happen so, sadly, I’ve not been able to do what I’d hoped to and dedicate a day or more each week to working on it exclusively. Cue the combination of gratitude and disappointment that is so familiar in life.

Ready to Paint! At the studio...
Ready to Paint! At the studio…

As a result of the longer stewing time, however, something more fascinating has grown… my many passions are combining in a delicious, bubbling pot and a vast, sprawling, beautiful creation is emerging. And I find myself looking at something so huge and wondering how I can approach it and allow it to support me whilst I bring it into reality… which has lead me to break down Healing Hearts into several projects, starting with a focus on the Welsh stories woven into the land I live upon.

I suppose I should share what I’m talking about!

I have a list of deities that are likely to be included in the final deck, ranging across many cultures, and each culture’s tales are an entire world of magic and meaning, connection and crisis, divinity and drama. To do them justice is a vast work! So whilst I paint the deities that arise, I shall be focussing on specific cultures for several months at a time, weaving through their stories and unravelling the threads so they can be spun into new tales and perhaps shared as theatrical performances. As I live in Wales, I’ve begun with the tales of Y Mabinogi, the mythology of the land. The stories speak to me of our relationship to the land and the environment – important topics right now, given the impending doom that is climate change – and so the four branches of Y Mabinogi and transforming themselves into tales of our connection and disconnection to the land and the wild within our hearts.

As I paint and explore the stories they are weaving themselves into a performance piece… so I’m looking for a venue to share it in next year!

Works in progress rarely look like they'll be any good... raw and unedited, a foundation to be worked upon, not really meant to be shared... but seedlings only grow when given enough light.
Works in progress rarely look like they’ll be any good… raw and unedited, a foundation to be worked upon, not really meant to be shared… but seedlings only grow when given enough light.

I’ve resisted sharing about this because it feels like I’m taking on something far bigger than I should and I worry folk will judge me for being so easily tempted. I’m worried it *is* simply too big and it will fail. I’m worried that I don’t have time and I’m putting myself under vast amounts of pressure if I commit to it.

And I find myself scrawling notes at bedtime, being inspired by conversations, facing open doors. Who am I to deny the magic that leads me forwards? Who am I to turn down the demands of a tale? Who am I to say no to the Muse?

It will all work out. I have faith…

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